When Money Became Art

The stunning emergency currency that captured Germany’s soul

A collection of vintage German emergency currency notes featuring intricate designs and various denominations.

How German Towns Turned Financial Crisis into Miniature Masterpieces

Imagine holding a piece of history in your hands—currency not just meant to buy bread or pay rent, but to tell stories, showcase art, and embody the spirit of a community. That’s the magic of Notgeld¾emergency money (also called ‘necessity money’) issued in Germany during the turbulent years between the World Wars. These notes were far more than stopgaps in a time of financial crisis; each one is a miniature masterpiece bursting with creativity, history, and local pride (and, unfortunately, more than a little prejudice.)

What Were Notgeld Notes?

Notgeld notes were born out of necessity. During economic turmoil, particularly the hyperinflation of the early 1920s, regular Reichsbank money grew scarce or practically worthless. In response, towns, businesses, and even local institutions stepped up, issuing their own temporary currencies to keep trade alive. 

But these weren’t just hastily printed pieces of paper issued by local bureaucrats. Notgeld notes were designed with care, creativity, whimsy, and a touch of daring. They became more than just money—each one was a canvas; telling a unique story of the time and place it came from.

Tiny Works of Art

The beauty of Notgeld lies in its design. These notes transformed mundane currency into vibrant expressions of artistic flair and cultural heritage. Boldly coloured and intricately detailed, they featured everything from whimsical illustrations to striking depictions of historical events. 

Designers poured their imaginations into these temporary currencies, crafting them into objects that people cherished long after their monetary use expired.

Picture a note adorned with the silhouette of a medieval castle standing proudly against a fiery sunset, or a scene of villagers celebrating a local festival, complete with laughing children and bustling market stalls. Some notes carried vivid portrayals of mythical creatures or allegorical figures, while others delivered biting satire or poetic wisdom. With such diversity of themes, Notgeld was as much a cultural artifact as it was a medium of exchange.

A Notgeld note featuring a festive winter scene, depicting a figure in red and a child in blue approaching a bag of gifts, surrounded by snowy mountains and trees.

Echoes of Crisis and Resilience

Considering the turbulent times from which they arose, the themes of Notgeld weren’t always boosting patriotic ideals. Instead, they sometimes reflected the despair and cynicism of the times with a bleak humour. 

While the artwork can vary from accomplished to crude, it’s amazing that local governments allowed such scathingly satiric commentary and dark humour to appear in “official” currency. It certainly gives you an idea of the national mood at the time, and how such universal desperation could lead to the spread of Nazism.

During the hyperinflation of the Weimar Republic, many notes bore imagery that captured the chaos and despair of the economy. Cartoons lampooned the absurdity of carrying wheelbarrows full of cash to buy a loaf of bread, while solemn depictions of hardworking farmers and labourers spoke to the strength of ordinary Germans amid adversity. These little notes were like snapshots of a nation’s collective psyche, balancing humour, tragedy, and hope.

Regional pride also played a starring role. Each town or institution issuing Notgeld seized the opportunity to spotlight its identity. Whether through depictions of local landmarks, legends, or cultural traditions, these notes became emblems of communal pride. Holding a Notgeld note was like holding a piece of a town’s heart, a tangible reminder of its history and character.

Colorful Notgeld note from Mainz, Germany, featuring detailed illustrations of local landmarks and a decorative border.

As we have seen, a deeper study of Notgeld reveals some darker sides to the German culture as well. There are nasty anti-Jewish jokes, disturbing hints of popular prejudice, and much, much more.  These notes are a compendium of German memories, hopes and fears in the early 1920s’ and, as such, cover the gamut of human experience during a time of great uncertainty, social stress, and economic panic.

A German Notgeld note featuring silhouettes of a devilish figure and a seated man, surrounded by decorative grapevines and the text in German referring to drinking together throughout the night.

Drinking with the devil. 75 Pfennig Notgeld from Grunberg (1921)

The Legacy of Notgeld: From Necessity to Treasure

Today, the legacy of Notgeld lives on—not as currency, but as fascinating collectibles and historical artifacts. Numismatics enthusiasts and historians alike are captivated by the sheer variety and artistry of these notes. Some are rare gems, issued in small quantities for special occasions or festivals, while others stand out for their exceptional craftsmanship and storytelling.

The survival of these ephemeral currencies is itself remarkable. Printed on inexpensive paper intended to be used and then discarded, many have endured the passage of time, preserved in museums, private collections, and exhibitions. They serve as vivid reminders of a unique chapter in financial and artistic history—a time when even the humblest forms of currency carried immense cultural and emotional weight.

A 25 Pfennig Notgeld note featuring whimsical illustrations of women riding mythical creatures and figures, showcasing vibrant blue and yellow colors, issued in 1922 from Appelins, Braunschweig.

Conclusion

Notgeld is a testament to humanity’s ability to find beauty, storytelling, and meaning even in the most challenging circumstances. These notes are more than relics; they are windows into the soul of interwar Germany, reflecting the trials, creativity, and unyielding spirit of the German people. Their designs capture the essence of local pride, the humour and resilience of people facing hardship, and the boundless imagination of artists who turned emergency currency into treasures.

For anyone fascinated by art, history, or the stories hidden in everyday objects, Notgeld is an invitation to explore a world where money was more than money—it was a celebration of life, culture, and the indomitable human spirit. 

Whether with a sneer, a smile, or a bemused shrug, the artists creating Notgeld left us all an incredible visual legacy of the human experience during times of great upheaval and uncertainty.

Pierwsze polskie banknoty

By Marcin Brzeziński

Rok 1794 zapisał się w dziejach Polski wyjątkowo. Nie tylko wybuchła insurekcja kościuszkowska. Obywatele po raz pierwszy w dziejach płacili banknotami. Władze powstańcze, wobec niedoborów złota i srebra, zadecydowały o druku pieniędzy. Banknoty nie cieszyły się jednak wielką popularnością. Wykonane z nietrwałego materiału przetrwały w nielicznych egzemplarzach, które na aukcjach osiągają zawrotne ceny.

Od konstytucji do Targowicy

Rok 1791 zapisał się w dziejach Polski wielkim wydarzeniem. Trzeciego maja uchwalono nowoczesną konstytucję, która w zamyśle sygnatariuszy miała zmienić kształt państwa i zaowocować szerokimi reformami. Decyzja sejmu uruchomiła jednak lawinę wypadków, które doprowadziły do ostatecznego rozbioru Rzeczpospolitej w 1795 r. Po zawiązaniu konfederacji targowickiej przeciwko reformom konstytucji do Polski wkroczyły w 1792 r. wojska rosyjskie. Dwa lata później rozpoczął się zryw narodowy.

Powstańcza reforma monetarna

W 1794 r. wybuchło powstanie pod wodzą Tadeusza Kościuszki, które było ostatnią próbą ratowania niezawisłości kraju. Władze powstańcze przystąpiły m.in. do reorganizacji finansów. Króla pozbawiono przywileju produkcji pieniądza. Stanisław August Poniatowski początkowo oponował, ale ostatecznie wsparł Komisję Skarbową własnymi zasobami srebra i gotówki. Kruszec do bicia monet pochodził także z konfiskaty paramentów liturgicznych ze świątyń różnych wyznań.

Tadeusz Kościuszko – bohater Polski i USA na znaczku z 1933 r. Źródło: Wikipedia

Rada Najwyższa Narodowa zmieniła obowiązującą stopę menniczą. Z grzywny kolońskiej (233,812 g) srebra należało wyprodukować talary, dwuzłotówki i złotówki o łącznej wartości 84 ½ złotego. Zaprzestano emisji półtalarów i srebrnych groszy podwójnych. Wznowiono natomiast produkcję szóstaków.

Ciekawostką menniczą z roku 1794 były tzw. półstanisladory (z fr. stanislaus d’or) oraz stanisladory bite w złocie próby 833/1000. Pierwsza z monet miała wartość półtora dukata a druga trzech dukatów. Stanislador ważył ok. 12.4 g. Wybito go w nakładzie ok. 5200 sztuk. Półstanislador miał masę ok. 6,2 g a jego nakład oscylował w granicach 8100 sztuk.

Trzy dukaty koronne (tzw. stanislasdor) z 1794 r. Źródło: Wikipedia

Papier zamiast brzęczącej monety

Bilet skarbowy o nominale 500 złotych polskich z 1794 r., Muzeum Narodowe w Krakowie

Zupełną nowością w polskim systemie pieniężnym były pierwsze banknoty, które pojawiły się w 1794 r. Funkcjonowały jako bilety skarbowe i zdawkowe. Zastępowały monety, których nie można było wybić. Pierwsze z nich posiadały nominały: 5, 10, 25, 50, 100, 500 i 1000 zł, które różniły się odcieniem papieru. W praktyce były to państwowe skrypty dłużne. Umieszczono na nich informację, ze Skarb Narodowy zobowiązuje się wypłacić w przyszłości i w monecie każdemu posiadaczowi określoną na banknocie kwotę. Gwarancją wypłaty miały być dobra narodowe przeznaczone do sprzedaży.

Na awersie banknotów/biletów skarbowych umieszczono tekst uchwały Rady Najwyższej Narodowej. Pod nim widniały Orzeł Biały i Pogoń oraz symbole rewolucji francuskiej. Te ostatnie to m.in. czapka frygijska, fragment murów więziennych oraz łańcuchy absolutyzmu zerwane przez lud.  Co ciekawe podpisy na dole banknotów oraz kolejne numery wpisywano odręcznie. Rewers był pozbawiony jakichkolwiek nadruków. Najwyższe nominały (w tym 500 zł) miały bardzo niewielki nakład, oceniany na 500 do 1000 sztuk. Nakład banknotów pięciozłotowych sięgał sześćdziesięciu tysięcy egzemplarzy.

W czasie insurekcji oprócz biletów skarbowych funkcjonowały bilety zdawkowe (papierowe znaki pieniężne zastępujące monetę). Miały postać niewielkich kartoników. Na ich awersie widniały herby, nominał i nazwa emitenta. Na rewersie faksymile podpisu Filipa Malinowskiego, komisarza Dyrekcji Biletów Skarbowych. Bilety zdawkowe miały nominały: 5, 10 groszy oraz 1 i 4 zł.

Bilet zdawkowy o nominale 10 groszy z 1794 r. Źródło: Wikipedia

Ograniczone zaufanie społeczeństwa i aukcyjne rekordy

Banknoty nie zyskały sobie większej popularności. Złożyło się na to kilka czynników. Obietnica przyszłej wypłaty w pieniądzu kruszcowym, po sprzedaży dóbr państwowych, nie miała gwarancji. Władze powstańcze zezwoliły na płacenie podatków biletami skarbowymi tylko do wysokości 50%, resztę należało uiścić w monetach. Z drugiej strony armia kościuszkowska mogła płacić za wszystko biletami skarbowymi w całości. To spowodowało, że ludność podchodziła do banknotów z dużą nieufnością. Ich zasięg pozostał bardzo ograniczony. Ze względu na nietrwałość papieru, z którego je wykonano zachowało się niewiele egzemplarzy. Te które przetrwały są kolekcjonerskim rarytasem.

W lutym 2019 roku zapłacono najwyższą jak dotąd kwotę za polski banknot. Podczas wrocławskiej aukcji numizmatycznej nabywca kupił 500 zł z 1794 r. za 220 tys. zł! Tym samym został pobity rekord z 2018 r. gdy 10 zł z 1919 r. sprzedano za 110 tys. zł.

Marcin Brzeziński – absolwent Wydziału Dziennikarstwa i Nauk Politycznych Uniwersytetu Warszawskiego. Zajmuje się losami polskiej arystokracji, interesuje starą fotografią. Autor i współautor kilku książek, m.in.: Adam i Jadwiga Czartoryscy. Fotografie i wspomnienia (2013), Stanisław Kazimierz Kossakowski. Kocham fotografię(2019), współtwórca wystaw historycznych, m.in.: Nie mamy tu miasta trwającego – opowieść o pałacach przy Trakcie Królewskim w Warszawie (2010). Od kilku lat współpracuje ze Skarbnicą Narodową. Obszarem jego zainteresowań są przede wszystkim polskie monety historyczne.

The First & Most Valuable Polish Banknote (1794)

by Marcin Brzeziński

1794 was an exceptional year in Polish history. It saw the outbreak of the first Polish uprising against Russia, led by Tadeusz Kościuszko, who would become the national hero of both Poland and the United States of America. It was also the year when the citizens first started to use banknotes as a form of payment. Facing a shortage of gold and silver, the insurgent administration made the decision to turn to printed currency. Their banknotes did not gain much popularity, however. Made of an impermanent material, they were easy to damage, and only a small number has survived. Thus, they are now sold at auctions at astronomical prices. 

From the Constitution to the Treason at Targowica

On 3 May 1791 Poland adopted a modern constitution, intended to reorganise the country and bring about far-reaching reforms. In reality, however, the act triggered a sequence of events that ultimately led to the discontinuation of the Polish State in 1795, when its territory was divided between Russia, Prussia and Austria. After the constitution was signed, a group of citizens opposing the proposed changes gathered at Targowica in present-day Ukraine, and formed a confederation which asked the Empress of Russia Catherine II to intervene. Russian troops entered Polish territory in 1792. Two years later, the first Polish uprising against the occupier began. 

Monetary Reform During the Insurgency

The 1794 uprising led by Tadeusz Kościuszko was the last attempt at defending Poland’s independence. The insurgent authorities proceeded, for instance, to reorganise the country’s financial system. King Stanisław August Poniatowski’s right to issue money was revoked. The monarch initially objected, but ultimately supported the Treasury Committee, offering his own reserves of silver and hard currency. Bullion for minting coins was also acquired through the confiscation of liturgical paraphernalia from temples of all religions. 

Tadeusz Kościuszko, national hero of Poland and the USA, depicted on a 1933 stamp. Source: Wikipedia

The Supreme National Council, which was the central civil authority during the uprising, changed the official rate of mintage. One Cologne mark (233.812 g) was to be used to produce a total value of 84 ½ zloty in thalers, half-thalers and zloty. The minting of half-thalers and silver double-groschen was discontinued; the production of szóstaki (six-groschen coins) recommenced.

A numismatic curio from the year 1794 were the so-called półstanisladors (half-stanisladors; from the French ‘stanislaus d’or’) and stanisladors, minted of .833 fine gold. Their value was 1.5 and 3 ducats respectively. The stanislador coin weighed ca. 12.4 g; ca. 5200 such coins were issued. The mass of the półstanislador amounted to ca. 6.2 g; the total issue was ca. 8100. 

Three-ducat coin (the so-called stanislasdor), 1794. Source: Wikipedia

Paper Instead of Coins

500 Polish zloty treasury note, 1794, the National Museum in Krakow

The banknotes that appeared in 1794 were an entirely new element in the Polish monetary system. They functioned as treasury and utility notes, substituting coins, which could not be minted at the time. The denominations of the first notes were 5, 10, 25, 50, 100, 500 and 1000 zloty, each printed on differently coloured paper. In practice, they were state-issued promissory notes. The caption put on the notes proclaimed that the National Treasury was obliged to pay each holder of the note the amount specified thereon, in coin, at a future date. National assets marked for sale were to serve as guarantee of the payment. 

The face of the banknotes/treasury notes featured the text of the resolution passed by the Supreme National Assembly, and above it, the coats of arms of the Polish Republic – the Eagle and the Chase – as well as symbols of the French Revolution. The latter elements included a Phrygian cap, a section of prison walls and the chains of absolutism broken by the people. Interestingly, the signatures at the bottom of the notes and the serial numbers were written in by hand. The back of the note was blank. The highest denominations (including the 500 zloty notes) were issued in very small numbers, estimated at 500 to 1000 specimens. As for the 5 zloty notes, some 60,000 were produced. 

Another novelty introduced during the insurrection were utility notes (paper means of exchange substituting coin). They had the form of small sheets of paper, with coats of arms, denomination and the name of the issuer depicted on the face. The back featured a facsimile of the signature of Filip Malinowski, one of the commissioners of the Directorate for Treasury Notes. The denominations of the utility notes were: 5 and 10 groschen, 1 zloty and 4 zloty.

10 groschen utility note, 1794. Source: Wikipedia

People’s Mistrust and Subsequent Auction Records

The banknotes did not gain much popularity among the population, for a number of reasons. The promise of a future payment in hard coin, to be made after the sale of public property, had no guarantee. Insurgency authorities allowed citizens to pay only up to 50% of their taxes in treasury notes; the rest had to be handed in coin. Kościuszko’s armies, on the other hand, were permitted to pay for everything using paper currency. Consequently, people regarded the notes with a considerable dose of mistrust. Their circulation remained very limited. Due to the impermanent nature of the paper of which they were made, only a few specimens of the notes have survived. The extant ones are a collector’s item. .

The hitherto highest bid on a Polish banknote was made in February 2019, at a numismatic auction in Wrocław, where a 500 zloty note from 1794 was bought for 220,000 zloty (ca. 60,000 dollars).

Marcin Brzezinski is a graduate of the Faculty of Journalism and Political Science at the University of Warsaw. He is interested in the history of Polish aristocracy and old photography. Author and co-author of several books, including: “Adam and Jadwiga Czartoryski. Photographs and Memories” (2013), “Stanisław Kazimierz Kossakowski. I love photography” (2019). Co-creator of historical exhibitions, including: “For here we do not have an enduring city – a story about palaces on the Royal Route in Warsaw” (2010). He has been cooperating with the National Treasury (Skarbnica Narodowa) for several years.  The area of his numismatic interest is primarily historical Polish coins.